Don Marquis's a spider and a fly

Don Marquis's a spider and a fly

i heard a spider
and a fly arguing
wait said the fly
do not eat me
i serve a great purpose
in the world

you will have to
show me said the spider

i scurry around
gutters and sewers
and garbage cans
said the fly and gather
up the germs of
typhoid influenza
and pneumonia on my feet
and wings
then i carry these germs
into households of men
and give them diseases
all the people who
have lived the right
sort of life recover
from the diseases
and the old soaks who
have weakened their systems
with liquor and iniquity
succumb it is my mission
to help rid the world
of these wicked persons
i am a vessel of righteousness
scattering seeds of justice
and serving the noblest uses

it is true said the spider
that you are more
useful in a plodding
material sort of way
than i am but i do not
serve the utilitarian deities
i serve the gods of beauty
look at the gossamer webs
i weave they float in the sun
like filaments of song
if you get what i mean
i do not work at anything
i play all the time
i am busy with the stuff
of enchantment and the materials
of fairyland my works
transcend utility
i am the artist
a creator and demi god
it is ridiculous to suppose
that i should be denied
the food i need in order
to continue to create
beauty i tell you
plainly mister fly it is all
damned nonsense for that food
to rear up on its hind legs
and say it should not be eaten

you have convinced me
said the fly say no more
and shutting all his eyes
he prepared himself for dinner
and yet he said i could
have made out a case
for myself too if i had
had a better line of talk

of course you could said the spider
clutching a sirloin from him
but the end would have been
just the same if neither of
us had spoken at all

boss i am afraid that what
the spider said is true
and it gives me to think
furiously upon the futility
of literature
archy”

Don Marquis's a spider and a fly 

In the first stanza of "The Spider and the Fly," the spider attempts to convince the fly to come up to his parlour (web), but the fly replies that those who do so never return. 

In the second stanza, the spider attempts to convince the fly how comfortable his bed is, but the fly responds that those who sleep on his bed never wake again. 

In the third stanza, the spider proclaims his affection for the fly and offers what he has in his pantry, but the fly doesn't wish to see it. 

In the fourth stanza, the spider offers flattery and a chance for the fly to look upon herself in his mirror. The fly is flattered and says she'll call on him another day. 

In the fifth stanza, the spider knows the fly was flattered, so he prepares for her arrival, believing that the fly has begun to trust him. When she returns, he flatters her again to seal the deal. 

In the sixth stanza, still enamoured with the spider's flattery, the fly gets closer and closer until the spider captures her. 

The final stanza is spoken directly to the listener, in this case, it is students. The poem is a lesson that some use flattery simply as a way to get what they want or to seduce other people. Although this is a general lesson intended for students, this poem has been interpreted as a cautionary tale for women not to be seduced by manipulative men. 

Don Marquis's a spider and a fly

Bepin Choudhary's Lapse of Memory - Satyajit Ray

BEPIN CHOUDHURY'S LAPSE OF MEMORY

-          SATYAJIT RAY

Before you read

Do you have a good memory? Has your memory ever played any tricks on you? Forgetfulness often puts you in a tight spot. But forgetting a part of your life completely may drive you crazy. In this story, Bepin Babu goes nearly crazy because he cannot recollect his stay at Ranchi. He has never been to Ranchi, he insists, though there are many witnesses to the contrary. What is the suspense all about?

I

Every Monday, on his way back from work, Bepin Choudhury would drop in at Kalicharan's in New Market to buy books. Crime stories, ghost stories and thrillers. He had to buy at least five at a time to last him through the week. He lived alone, was not a good mixer, had few friends, and didn’t like spending time in idle chat. Today, at Kalicharan’s, Bepin Babu had the feeling that someone was observing him from close quarters. He turned round and found himself looking at a round-faced, meek-looking man who now broke into a smile.

“I don’t suppose you recognise me.”

“Have we met before?” asked Bepin Babu.

The man looked greatly surprised. “We met every day for a whole week. I arranged for a car to take you to the Hudroo falls.

In 1958.  In Ranchi. My name is Parimal Ghose.” “Ranchi?”

Now Bepin Babu realised that it was not he but this man who was making a mistake. Bepin Babu had never been to Ranchi. He had been at the point of going several times but never made it. He smiled and said, “Do you know who I am?”

The man raised his eyebrows, bit his tongue and said, “Do I know you? Who doesn’t know Bepin Choudhury?”

 Bepin Babu now turned towards the bookshelves and said, “Still you’re making a mistake. One often does. I’ve never been to Ranchi.”

 The man now laughed aloud.

“What are you saying, Mr Choudhury? You had a fall in Hudroo and cut your right knee. I brought you iodine. I had fixed up a car for you to go to Netarhat the next day, but you couldn’t because of the pain in the knee. Can’t you recall anything? Someone else you know was also in Ranchi at that time. Mr Dinesh Mukerji. You stayed in a bungalow. You said you didn’t like hotel food and would prefer to have your meals cooked by a bawarchi. Mr Mukerji stayed with his sister. You had a big argument about the moon landing, remember? I’ll tell you more: you always carried a bag with your books in it on your sight-seeing trips. Am I right or not?”

 Bepin Babu spoke quietly, his eyes still on the books.

 “Which month in ’58 are you talking about?”

The man said, “October.”

“No, sir,” said Bepin Babu. “I spent Puja in ’58 with a friend in Kanpur. You’re making a mistake. Good day.”

But the man didn’t go, nor did he stop talking.

“Very strange. One evening I had tea with you in a veranda of your bungalow. You spoke about your family. You said you had no children, and that you had lost your wife ten years ago. Your only brother had died insane, which is why you didn’t want to visit the mental hospital in Ranchi...”

When Bepin Babu had paid for the books and was leaving the shop, the man was still looking at him in utter disbelief

II

Bepin Babu’s car was safely parked in Bertram Street by the Lighthouse Cinema. He told the driver as he got into the car, “Just drive by the Ganga, will you, Sitaram.” Driving up the Strand Road, Bepin Babu regretted having paid so much attention to the intruder. He had never been to Ranchi — no question about it. It was inconceivable that he should forget such an incident which took place only six or seven years ago. He had an excellent memory. Unless — Bepin Babu’s head reeled.

Was he losing his mind? But how could that be? He was working daily in his office. It was a big firm, and he was doing a responsible job. He wasn’t aware of anything ever going seriously wrong. Only today he spoke for half an hour at an important meeting. And yet...

And yet the man knew a great deal about him. How? He even seemed to know some intimate details. The bag of books, wife’s death, brother’s insanity... The only mistake was about his having gone to Ranchi. Not a mistake; a deliberate lie. In ’58, during the Pujas, he was in Kanpur at his friend Haridas Bagchi’s place. All Bepin Babu had to do was write to — no, there was no way of writing to Haridas. Bepin Babu suddenly remembered that Haridas had left with his wife for Japan some weeks ago, and he didn’t have his address. But where was the need for proof? He himself was fully aware that he hadn’t been to Ranchi — and that was that.

The river breeze was bracing, and yet a slight discomfort lingered in Bepin Babu’s mind.

 Around Hastings, Bepin Babu decided to roll up his trousers and take a look at his right knee.

 There was the mark of an old inch-long cut. It was impossible to tell when the injury had occurred.

Had he never had a fall as a boy and cut his knee? He tried to recall such an incident, but couldn’t.

Then Bepin Babu suddenly thought of Dinesh Mukerji. The man had said that Dinesh was in Ranchi at the same time. The best thing surely would be to ask him. He lived quite near — in Beninandan Street. What about going right now? But then, if he had really never been to Ranchi, what would Dinesh think if Bepin Babu asked for a confirmation? He would probably conclude Bepin Babu was going nuts. No; it would be ridiculous to ask him.

And he knew how ruthless Dinesh’s sarcasm could be.

Sipping a cold drink in his air-conditioned living room, Bepin Babu felt at ease again. Such a nuisance! Just because they have nothing else to do, they go about getting into other people’s hair.

After dinner, snuggling in bed with one of the new thrillers, Bepin Babu forgot all about the man in New Market.

Next day, in the office, Bepin Babu noticed that with every passing hour, the previous day’s encounter was occupying more and more of his mind. If the man knew so much about Bepin Babu, how could he make such a mistake about the Ranchi trip?

Just before lunch Bepin Babu decided to ring up Dinesh Mukerji. It was better to settle the question over the phone; at least the embarrassment on his face wouldn’t show. Two-Three-Five-Six-One-Six. Bepin Babu dialled the number.

“Hallo.”

“Is that Dinesh? This is Bepin here.”

“Well, well — what’s the news?”

“I just wanted to find out if you recalled an incident which took place in ’58.”

“’58? What incident?”

 “Were you in Calcutta right through that year? That’s the first thing I’ve got to know.”

“Wait just a minute... ’58... just let me check in my diary.”

For a minute there was silence. Bepin Babu could feel that his heartbeat had gone up. He was sweating a little.

 “Hallo.”

 “Yes.”

“I've got it. I’d been out twice.”

“Where?”

 “Once in February — nearby — to Krishnanagar to a nephew’s wedding. And then... but you’d know about this one. The trip to Ranchi. You were there too. That’s all. But what’s all this sleuthing about?”

“No. I just wanted to — anyway, thanks.”

Bepin Babu slammed the receiver down and gripped his head with his hands. He felt his head swimming. A chill seemed to spread over his body. There were sandwiches in his tiffin box, but he didn’t eat them. He had lost his appetite.

III

After lunchtime, Bepin Babu realised that he couldn’t possibly carry on sitting at his desk and working. This had never happened in the twenty-five years he had been with the firm. He had a reputation for being a tireless, conscientious worker. But today his head was in a whirl.

Back home at two-thirty, Bepin Babu lay down in bed and tried to gather his wits together. He knew that it was possible to lose one’s memory through an injury in the head, but he didn’t know of a single instance of someone remembering everything except one particular incident — and a fairly recent and significant one at that. He had always wanted to go to Ranchi; to have gone there, done things, and not to remember was something utterly impossible.

At seven thirty, Bepin Babu’s servant came and announced, “Chuni Babu, sir. Says it’s very important.”

 Bepin Babu knew what Chuni had come for. Chunilal had been at school with him. He’d been having a rough time lately and had been coming to see him about a job. Bepin Babu knew it was not possible to do anything for him and, in fact, told him so. But Chuni kept turning up like a bad penny.

Bepin Babu sent word that not only was it not possible for him to see Chuni now but not in several weeks.

But as soon as the servant stepped out of the room, it struck Bepin Babu that Chuni might remember something about the ’58 trip. There was no harm in asking him.

Bepin Babu hurried down the stairs and into the living room. Chuni was about to leave, but seeing Bepin Babu appear, he turned round hopefully.

Bepin Babu didn’t beat about the bush.

“Listen, Chuni - I want to ask you something. You have a good memory, and you've been seeing me off and on for a long time. Just throw your mind back and tell me - did I go to Ranchi in ’58?”

Chuni said, “’58? It must have been ’58. Or was it ’59?”

“You’re sure that I did go to Ranchi?” Chuni’s look of amazement was not unmixed with worry.

“D’ you mean you have doubts about having gone at all?”

“Did I go? Do you remember clearly?”

Chuni sat down on the sofa, fixed Bepin Babu with a long, hard stare and said, “Bepin, have you taken to drugs or something? As far as I know, you had a clean record where such things were concerned. I know that old friendship don’t mean much to you, but at least you had a good memory. You can’t really mean that you’ve forgotten about the Ranchi trip?”

Bepin Babu had to turn away from Chuni’s incredulous stare.

“Do you remember what my last job was?” asked Chunilal.

 “Of course. You worked in a travel agency.”

“You remember that and you don’t remember that it was I who fixed up your railway booking for Ranchi? I went to the station to see you off; one of the fans in your compartment was not working — I got an electrician to fix it. Have you forgotten everything? Whatever is the matter with you? You don’t look too well, you know.”

Bepin Babu sighed and shook his head.

“I’ve been working too hard,” he said at last. “That must be the reason. Must see about consulting a specialist.”

Doubtless it was Bepin’s condition which made Chunilal leave without mentioning anything about a job.

Paresh Chanda was a young physician with a pair of bright eyes and a sharp nose. He became thoughtful when he heard about Bepin Babu’s symptoms. “Look, Dr Chanda,” said Bepin Babu desperately, “You must cure me of this horrible illness. I can’t tell you how it's affecting my work.”

Dr Chanda shook his head.

“You know what, Mr Choudhury,” he said. “I’ve never had to deal with a case such as yours. Frankly, this is quite outside my field of experience. But I have one suggestion. I don’t know if it’ll work, but it’s worth a try. It can do no harm.”

Bepin Babu leant forward anxiously.

“As far as I can make out,” said Dr Chanda, “And I think you’re of the same opinion — you must have been to Ranchi, but due to some unknown reason, the entire episode has slipped out of your mind. What I suggest is that you go to Ranchi once again. The sight of the place may remind you of your trip. This is not impossible. More than that I cannot do at the moment. I’m prescribing a nerve tonic and a tranquillizer. Sleep is essential, or the symptoms will get more pronounced.”

Bepin Babu felt somewhat better the next morning.

After breakfast, he rang up his office, gave some instructions and then procured a first class ticket for Ranchi for the same evening.

IV

Getting off the train at Ranchi next morning, he realised at once that he had never been there before.

He came out of the station, took a taxi and drove around the town for a while. He realised that the streets, the buildings, the hotels, the bazaars, the Morabadi Hill — with none of these had he the slightest acquaintance. Would a trip to the Hudroo Falls help? He didn't believe so, but, at the same time, he didn't wish to leave with the feeling that he hadn’t tried enough. So he arranged for a car and left for Hudroo in the afternoon.

At five o’clock the same afternoon in Hudroo, two Gujarati gentlemen from a group of picnickers discovered Bepin Babu lying unconscious beside a boulder. When he came round, the first thing Bepin Babu said was, “I’m finished. There’s no hope left.”

Next morning, Bepin Babu was back in Calcutta. He realised that there was truly no hope for him. Soon he would lose everything: his will to work, his confidence, his ability, his balance of mind. Was he going to end up in the asylum at...? Bepin Babu couldn’t think anymore.

Back home, he rang up Dr Chanda and asked him to come over. Then, after a shower, he got into bed with an ice bag clamped on his head. Just then the servant brought him a letter which someone had left in the letter box. A greenish envelope with his name in red ink on it.

Above the name, it said ‘Urgent and Confidential’. In spite of his condition, Bepin Babu had a feeling that he ought to go through the letter. He tore open the envelope and took out the letter. This is what he read —

Dear Bepin,

I had no idea that affluence would bring about the kind of change in you that it has done. Was it so difficult for you to help out an old friend down on his luck? I have no money, so my resources are limited. What I have is imagination, a part of which I used in retribution of your unfeeling behaviour.

Well, you’ll be all right again now. A novel I’ve written is being considered by a publisher. If he likes it enough, it'll see me through the next few months.

Yours, Chunilal

When Dr Chanda came, Bepin Babu said, “I’m fine. It all came back as soon as I got off the train at Ranchi.”

“A unique case,” said Dr Chanda. “I shall certainly write about it in a medical journal.”

“The reason why I sent for you,” said Bepin Babu, “is that I have a pain in the hip from a fall I had in Ranchi. If you could prescribe a pain killer…”

Bepin Choudhary's Lapse of Memory 

Mahasweta Devi 1926 - 2016

Mahasweta Devi 1926 - 2016

Mahasweta Devi was born in 1926 in Dhaka, Bangladesh, to literary parents. Her father, Manish Ghatak, was a well-known poet and novelist of the Kallol movement, who used the pseudonym Jubanashwa. Ghatak's brother was noted filmmaker Ritwik Ghatak.  Mahasweta's mother, Dharitri Devi, was also a writer and a social worker whose brothers were very distinguished in various fields, such as the noted sculptor Sankha Chaudhury and the founder-editor of the Economic and Political Weekly of India, Sachin Chaudhury. Mahasweta's first schooling was in Dhaka, but after the partition of India she moved to West Bengal in India. She joined the Rabindranath Tagore-founded Vishvabharati University in Santiniketan and completed a B.A. (Hons) in English, and then finished an M.A. in English at Calcutta University. In 1947, she married renowned playwright Bijon Bhattacharya, who was one of the founding fathers of the IPTA movement. In 1948, she gave birth to Nabarun Bhattacharya, who became a novelist and political critic. She worked in a post office but was fired from there for her communist leaning. She went to do various jobs, like selling soaps and writing letters in English to illiterate people. In 1962, she married author Asit Gupta are divorcing Bhattacharya

Her Books

• The Queen of Jhansi (biography, translated in English by Sagaree and Mandira Sengupta from the 1956 first edition in bangla Jhansir Rani)
• Hajar Churashir Maa ("Mother of 1084", 1975; translated by Samik Bandyopadhyay, Seagull Books, 1997)
• Aranyer Adhikar (The Occupation of the Forest, 1977)
• Agnigarbha (Womb of Fire, 1978)
• Bitter Soil tr, Ipsita Chandra. Seagull, 1998. Four stories.
• Imaginary Maps (translated by Gayatri Spivak London & New York. Routledge,1995)
• Dhowli (Short Story)
• Dust on the Road 
• Our Non-Veg Cow 
• Bashai Tudu (1993)
• Titu Mir
• Rudali
• Breast Stories (1997)
• Of Women, Outcasts, Peasants, and Rebels (1990.) Six stories.
• Ek-kori's Dream (1976)
• The Book of the Hunter (2002)
• Outcast ( 2002)
• Draupadi
• In Other Worlds: Essays in Cultural Politics (Translated into English by Gayatri Chakraborty Spivak. Methuyen and Company, 1987. New York, London)
• Till Death Do Us Part
• Old Women
• Kulaputra 
• The Why-Why Girl 
• Dakatey Kahini

Awards

• 1979: Sahitya Akademi Award (Bengali): – Aranyer Adhikar (novel)
• 1986: Padma Shri
• 1996: Jnanpith Award – the highest literary award from the Bharatiya Jnanpith
• 1997: Ramon Magsaysay Award – Journalism, Literature, and the Creative Communication Arts
• 2006: Padma Vibhushan – the second highest civilian award from the Government of India
• 2010: Yashwantrao Chavan National Award
• 2011: Bangabibhushan – the highest civilian award from the Government of West Bengal
• 2012: Hall of Fame Lifetime Achievement Sahityabrahma – the first Lifetime Achievement award in Bengali Literature from 4thScreen-IFJW.
• 2014: 1st Mamoni Raisom Goswami National Award for Literature constituted by Assam Sahitya Sabha and sponsored by Numaligarh Refinery Limited, Assam

(Source: Wikipedia)

WRITING A RESEARCH PAPER

WRITING A RESEARCH PAPER

Writing a research paper can sometimes be a terrifying or a completely boring experience for
students. Knowing and learning the skills involved in creating a research paper can help a student to face the task as a challenge, one he or she is fully capable of meeting. Learning these skills will prove
invaluable throughout the student’s professional life: exploring any given topic in detail; seeking out and finding raw data; reflecting upon the implications of the data; following insights; establishing logical categories; organizing the data logically; writing with clarity and precision; and revising appropriately. In today’s technology, of course, the computer offers additional opportunities to develop these skills. The words you type on your computer screen are not as fixed as they used to be when you used pen and paper. Computers allow you more freedom and ease in changing your words or ideas; consequently, you can take more risks with your ideas. Strive to make the writing of every paper an exercise in developing your thinking, writing, and computer skills. You will use these skills over a lifetime!

The 20 Steps in Writing the Research Paper:

1. Choosing your topic
2. Narrowing your topic
3. Formulating a genuine question which your research data will address
4. Finding references and select bibliography
5. Writing research notes
6. Writing bibliography cards for notes you plan to use
7. Categorizing your research notes
8. Converting your original question to a clear thesis sentence
9. Verifying that all of your research data DOES directly relate to your thesis
sentence
10. Writing a detailed outline
11. Making a clear draft copy, making sure to SAVE the document on your
computer
12. Leaving for a day!
13. Learning rules for using quotation marks correctly
14. Learning rules for using footnotes correctly
15. Learning how to write a bibliography
16. Checking for plagiarism: have you correctly given credit for the words and
ideas of other writers and researchers you are using as sources?
17. Editing your first draft: repositioning sentences and paragraphs, adding and
deleting material to advance your thesis; looking to insert transitional
words and phrases; reading the paper aloud to someone
3
18. Selecting an attention-getting title for the research paper: eliminate the first
two titles that come to mind and go with the third title!!
19. Making a final copy of the research paper
20. Turning the research paper in ON TIME


Choosing Your Topic
Always aim to choose a topic of interest to YOU! That is what a research paper is, an
opportunity for you to explore issues of interest to you. Many times an instructor will provide you with a list of topics to select from. Otherwise, pick a topic from the ideas expressed in class lectures that you found interesting. You might also look in your textbook for chapter headings or subheadings that intrigue you, or look over the index of the textbook to see if certain topics leap out at you, topics you would really like to know more about. You can also ask a librarian to help you find sources of information in the field that you are studying. It is important to see what professionals in the field are writing about the topic of interest to you. If you still have difficulty finding an interesting topic, do not hesitate to ask your instructor to assist you. Writing Essentials: A Norton Pocket Guide, by Dawn Rodrigues and Myron D. Tuman, offers a helpful checklist in exploring your assignment:
1. What does the assignment ask me to do?
2. What aspect of the topic most interests me? Why?
3. What should the finished product look like? Does the assignment call for a
certain genre or format, such as a standard essay or formal research paper?
How long must it be?
4. Do I know enough about my topic?
5. What do I need to learn?
6. Where will I be able to gather information--books, magazines, on-line
sources, talking to others? (5)

Narrowing Your Topic
The most common criticism of student research papers is that the “topic is too broad, too
general.” How can you be sure that you have sufficiently narrowed your topic? A Cornell English
professor once suggested this sure-fire strategy: put your original topic through three significant narrowing;
that is, move from one category to a class within the category, and then do it tow additional times. Here is an example of some narrowing for 10 to 12 page research papers:
1. Public opinion polls (TOPIC):

accuracy of polls (FIRST NARROWING)
accuracy of such polls in national
election (SECOND NARROWING)
factors that determine the accuracy of public
opinion polls in national elections (THIRD NARROWING)
2. Climate of opinion between World War I and World War II:
the moral climate of opinion between WWI and WWII
the particular arguments involved in the debate over Prohibition
the arguments for Prohibition used by “Drys” in support of the 18th
Amendment and their arguments in the late 1920’s and early
1930’s to prevent repeal
3. Walt Whitman’s Leaves of Grass:
Walt Whitman’s genius in Leaves of Grass
Walt Whitman’s imagery in Leaves of Grass
Walt Whitman’s water imagery in Leaves of Grass
4. Nuclear war:
Arguments against nuclear war
Types of nuclear weapons
Potential dangers from ICBMs
5. The American Civil War:
Crucial battles of the Civil War
The Battle of Fredricksburg
Napoleanic Strategy and the Battle of Fredricksburg

Provide a Focus for Gathering Material
In a research paper, you want to avoid at all cost the error of making your paper simply an
accumulation of facts. Your instructor will expect that you have first come up with a genuine question, and then you will begin to accumulate the facts to answer the question. Of course, your question may change as you begin to accumulate more and more facts. Whether the question can be definitely answered or not is unimportant! Let you accumulation of facts lead you to the most logical answer to your question.
For example, let us say that you decide to do research on Item #5 above (“The American Civil War”).
After narrowing your topic further, you decide to focus on Napoleanic Strategy and the Battle of
Fredricksburg; therefore, your question may be “In what ways did Napoleanic Strategy affect the outcomes of the Battle of Fredricksburg?” Now you begin to accumulate your facts. A detailed outline at this stage is not practical since you are not yet sure of the material you will find or how it will answer the question! Nevertheless, a specific question will save you much time because it will give you the needed focus for gathering relevant material.
Your computer may be of additional use to you in this phase. Using you E-mail, you can discuss
your ideas for topics with your professor and/or with other students in your class (you could use your
classmates as your distribution list: remember, too, mail messages can be sent to regular text files that can be read and edited).

Select a Bibliography
As you already know, one of the most important components of a research paper is carefully and
accurately documenting your collected data. Your instructor will probably expect you to use either the Modern language Association (MLA) system or the American Psychological Association (APA) system.
The MLA system basically asks you to cite within your paper, which will lead your readers to a list of works cited at the end of the paper. The APA system also contains in-text citations, but they refer your readers to a list of references at the end of your paper. Be certain which format your professor expects.
College libraries contain valuable sources of reference material. If you are not familiar with how
a library operates or where reference material is found, please ask to see one of the Reference Librarians
in the Augsburg College library; he or she will be glad to help you get started on your research. In
today’s world of technology, the student has access to a vast source of information: ask a librarian to
introduce you to the CLIC system, the library’s CD ROM resources, the World Wide Web, and various readers’ guides to periodical literature (for example, the Reader’s Guide and Poole’s Index to Periodical Literature, as well as special indexes in certain academic fields, such as the Psychological Abstracts and the Educational Index).
Once you have found a book or article that MIGHT relate to answering your question, you are
ready to create a system that keeps track of all the bibliographic information dealing with your topic.
Here is an excellent way to record each book or article you may want to look at. First, buy a pack of 3x5 index cards. Using one side of the card, make a bibliography card for each book or title you might be looking at (this way, you will not have to run back to the library weeks later to find the book’s author, title, publisher, and publication date). When the time comes to write your paper based on the books and articles you have chosen, you will already have the bibliography handy. Here are examples of efficient bibliography cards, the first citing a book that you consulted, the second citing a source found on the net.

Library call- Brief note to remind you of number why the text may be useful
BF Contains research on effects of stress
637
C6
C43
Christiansen, Harley Duane
Self-Relaxation: Comfort in Times of Tension
Tucson, Arizona: Peter Juul Press, 1975
The exact bibliographical information
http://www.NE14SUN.com
Bruckman, Amy. “Anyone for Sun?”
<http://www.NE14SUN.media.mit.com>
(4 Dec. 1994)
When you find information for your paper on the net, on your bibliographic card or computer file,
write down the full http address of the source, the author’s name (if known), the title of the article in
quotation marks, the title of the complete work (if applicable), the date of the publication (if known and if it is different from the date accessed), and in parenthesis the date you actually accessed the site.
Your computer may also be used to keep track of your source materials. Software is available to
assist you in preparing your bibliography. Some will format the bibliography for you by asking you to enter each piece of information as a field in a database. Other software programs “will provide an on-line guide to bibliographic format as you enter your data; this kind of program will automatically alphabetize entries and place them in the proper format as well as take care of all printing concerns” (Rodrigues andTuman 63).

One frequently overlooked source of information is the personal interview; every campus and
town has its share of experts and authorities. If possible, arrange for an interview and be prepared to take notes.
Collect your bibliography cards in one central location so that they may easily be found. Keep
the cards for books or articles you think you might be rejecting; you may discover later that the source has important information, or your instructor may ask to see your cards.

Gathering Notes
After filling out your bibliography cards for each source, you are ready to read your
books and articles and to write out note cards or type in computer entries for each source that you decide to use. It will save you time to examine several sources each time. It is an excellent idea to write ALL of your notes on paper of the same size because it would be less bulky, easier to keep together, and uniform.

The 5x8 index cards work very well for your notes. Here are the basic guidelines for your note cards:
1. Use only one side of the index card, and then record at the top right-hand corner the TOPIC
of the quotation or summary (for example, “Causes of stress”).
2. Identify the reference information at the top left-hand corner of the card by writing the
author’s last name or the title of the book or article.
3. Write notes in your own words or use quotation marks and record EXACTLY what the
author wrote or said. Get facts, not just opinions and compare the facts with the author’s conclusion.
You do not want to collect only those things that will support your thesis, ignoring other facts and opinion.
Remember that you need to write your notes out in a form, which can be used in your paper. If you are summarizing what the writer wrote or said, keep in mind that you are required to indicate in your paper when an idea or words are not your own, but those of your source. Failure to do this might lead you into plagiarism, a serious offense that could cause you to either fail the assignment or to fail the entire course!
4. Your notes should be concise, yet detailed enough to provide the accurate meaning of what
the writer said.
5. Write your notes neatly so as to avoid the frustration of later having to come back to the
source because you could not read or understand what you wrote.
6. Always skim the chapter or article before writing your notes.
7. Use ink. Notes written in pencil can become blurred through handling and sorting of your
note cards.
8. If you decide to sue direct quotations, use only a few and only those that are outstanding in
supporting your position in the paper. Most students tend to quote too much and too often.
9. Abbreviate only the common words; otherwise, much time could be lost in trying to “figure
out” unfamiliar shorthand.
10. When ideas and insights occur to you, write them down on separate note cards; in the top
left-hand corner write “my own.”
Should you choose to create your bibliography and note cards using your computer, keep the
following in mind:
1. Create a template file for each master card. Customize them as needed to accommodate your
sources. Since the cards are designed for a word processor, the space will expand as needed.

2. After you design the cards, use the Block Copy function of your word processor to make
multiple copies of the text in the file.
3. Each time you use the file, save a copy of it with a new name so that you can use your original
bibliography card of note card file for another project.
4. Head each note card with a key word or words that represent(s) an important concept in the
source. You can then search your file to find all the notes you have taken on a specific topic with the
same key words. For example, if you are writing a paper about problems in the legal system and want to find all of the notes you have taken that include the key words “defense attorneys,” search for all instances of “defense.” By searching a file that contains all your notes, you will be able to find and reorganize your notes by copying all related items to a new file.
5. When you take notes, indicate the usefulness or value of each source in a section of your
bibliography card; also indicate your personal reaction to the source on your note card.
Note Card on Your Word Processor

Key words:
Author or brief title:
Notes:
Personal response to this source:
Bibliography Card on Your Word Processor
Author(s) or Editor(s):
Title:
Volume:
City/publisher/Web Site
Date of publication:
Date of access (if source is on the Internet):
Value of this source

Should you choose to use the vast information structure of the Internet, you must learn how to
sue the various search engines, Infoseek and WebCrawler being two of the most popular. Here again,
Writing Essentials offers some excellent suggestions:
1. Develop a list of descriptors or search terms, and revise the list you find items that yield better
results.
2. Use and and not in your searches. Many programs allow you to use two words that are
joined by and to limit your search to all the sources that contain both words (For example, searching for interactive and television would produce a list of all the sources that contain both words).
3. To exclude certain kinds of sources, use not between your search items (For example, searching
for written and composition not music would produce sources that are about written composition, not
musical composition).
4. Scan the list of sources, and jot down new search terms that are like the “See also” references
that often appear in abstracts and summaries.
5. Search in various databases, using the same terms as well as any new terms that appear. You
will know that you have exhausted your search when the sources that you have already seen continue to appear as the results of your search.
6. Learn how to use search tools such as Netscape or WebCrawler on the World Wide Web.
7. Learn how to create a bookmark, a program feature of many Internet browsers that allows you
to mark material to which you may wish to return. First, as you search on the Internet, locate a set of
sources for your project. Then indicate to the computer that you want to save the location under
“Bookmark” in Netscape.
8. Mail information that you locate through the World Wide Web to your e-mail address, and
incorporate it into your notes. Check the World Wide Web or Internet program for directions on mailing files to yourself. (35)

Categorizing Your Notes
Because you recorded only ONE topic in the top right-hand corner on each of your note cards, you
can now arrange your note cards into separate topic stacks. And because you wrote on only one side of
the note card, you can see your full notes without having to turn cards over, back and forth! This will
compensate for the fact that you might have felt you were wasting paper by writing on only one side!
You will notice that by writing topics in the upper right-hand corner of your note cards, you will actually be
organizing your paper as you take notes. If you find some material that might add interest to your
introduction, then you can write “Introduction” as your topic. Some students find that by this method,
they do not have to write a formal outline at all. As an example, after completing all of your note cards,
adding topics to each card, you might be able to sort the cards into six piles easily. Let’s say you are
writing a paper on the radio program Voice of America. When you are finished taking notes, you might be able to divide them according to the following headings:
1. History of VA
2. Purpose of VA
3. Organization of VA
4. Cost
5. Effects of VA
6. Future of VA
Now your paper is beginning to take on a more coherent, organized look. If is does not, try going back and sorting the cards again, looking for main divisions, to see if another general pattern might become evident.
Here are several key ideas to follow:
1. Once you have put your note cards in separate piles according to topic, arrange the piles in the
order in which they will appear in your paper, each pile representing its own section of your paper.
2. Now arrange the CARDS in each pile in the order in which the information will appear in
the paragraph(s) of your paper.
3. Look over your note card piles and analyze the information in order to find a clear thesis
sentence that the entire paper will serve to support or prove.
Deciding on an Approach
This is an important stage of the process, for now you must look over all of your notes in an
attempt to find some main point or answer to the question you originally proposed. If you present your faculty member with a paper that simply strings together a long series of quotations, no matter how logically arranged, he or she might say, “So what?” And that is to the point: you ought to have clearly in mind before you begin writing the paper what this material adds up to. What will be your thesis sentence,
the idea that the entire paper develops, supports and proves? If you have not as yet thought of a thesis
sentence, now is the time to do so!
Drawing up a Detailed Outline
A detailed outline helps many student writers to order and control their data so that it can be used
to support your thesis statement. In writing the outline, you will be forced to think through your material.
Once you do this, then you will be able to draw from your reservoir of facts rather than stringing together “snippets” of facts. The detailed outline will save you time as well during the revision stage, since your thesis and facts will be in the correct and logical order from the beginning. At the top of your outline, write a clear thesis sentence; the rest of the outline, beginning with Roman number I, should do nothing but support your thesis!

Make a Clear Copy
Write your paper around the outline (or around your stacks of note cards if you have chosen not to
write a formal outline). Indicate in the first part of your paper what its purpose is (some writer, when
dealing with a very controversial thesis, will present the data first, then the conclusion; they do this so as not to “turn off” the reader in the very first section of the paper). The sections of you paper will look somewhat like this:
1. In your introduction, attempt to interest the reader in your topic before you state your thesis
sentence. Avoid an introduction that just mechanically states your thesis. You interest your reader by
sharing an anecdote relating to your topic, or presenting interesting factual data, or emphasizing the
importance of your topic to your readers. Then tell the read what you are going to support or prove
(statement of purpose, or thesis sentence).
2. Support why you believe your thesis to be true in the main body of your paper. Work hard
to keep each paragraph of the body coherent: in other words, start the paragraph with a clear topic sentence and make sure the remaining sentences of the paragraph work to support that topic sentence.
3. After you have developed all of your information, conclude by telling the reader what you
have just said (statement of summary and conclusion). Keep in mind that NO NEW INFORMATION should be introduced in your conclusion.
When you finish writing your sections, you have a first rough draft; it can be full of crossed-out
ideas, additions, direction, etc. that are understandable ONLY to the writer. Read the entire paper aloud and listen to how it sounds before you begin adding your documentation. Your paper should flow smoothly. You may need to add transitions if your sentences and paragraphs are not connected logically.
Now it is time to document throughout your paper wherever you borrowed actual words, phrases,
and sentences from another writer or speaker or wherever you borrowed an idea or conclusion from some other source. All statements of fact and opinion, whether directly quoted or paraphrased, should be documented by a parenthetical reference or by a footnote, showing exactly where you found the
information.
The MLA style of using parenthetical references is much simpler than using footnotes or endnotes.
You should clarify with your instructor if he or she will accept the most common type of documentation,
the MLA style. Here are important steps to keep in mind, as summarized in 10 Steps in Writing the
Research Paper:
1. Take out your bibliography cards and note cards.2. Place the reference as close as possible to the material it documents, but only where a pause
would naturally occur, such as at the end of a sentence. The parenthetical acknowledgment precedes the punctuation mark that concludes the sentence, clause, or phrase containing the material you have borrowed. If the quotation comes at the end of the phrase containing the material you have borrowed. If the quotation comes at the end of the sentence, the parenthetical reference should be enclosed after the closing quotation mark and before the concluding punctuation mark.
3. Within the parentheses there is no punctuation between the author’s name and the page
number if the volume number or other information is given. The abbreviation for the page is never used, and there is never any end punctuation within the parentheses.
4. Copy the page number on which the material was found exactly as you had it on your note
card; if the source is a multi-volume work, the volume number appears after the author’s name followed by
a colon and the page number. If a pamphlet of booklet has no page number, supply a page number in
brackets or write the words no page.
5. Check your bibliography cards to make sure that you have copied the author’s name exactly.
Draw a check mark on the card to remind yourself that you have used that source and that is must be
included in your final bibliography.

FORMS FOR PARENTHETICAL REFERENCES:
1. If the work to be cited was written by a single author and is alphabetized in your bibliography
under the author’s last name, your parenthetical reference will give the author’s last name followed by a page number: (Campbell 37). The reader only needs to check your bibliography or “Works Cited” page and look under “Campbell” to find the complete publishing information.
2. If you have already given the author’s name in your text, then you should give only the page
number: (37). In the case of multiple authors of a single work or a corporate author with a long name, it is preferable to mention the name or names in the text, leaving just the page number for the parenthetical reference, rather than having a long, unwisely parenthetical reference that would interrupt the flow of your writing.
3. If there is no author, use the title or the first word under which it is alphabetized if it is too
long: (Language 26).
4. If there are two authors, use both last names: (Markham and Jones 123). If there are three
authors, use all three last names: (Smith, Booth, and Jones 19). If there are more than three, use the first author’s last name followed by “and others”: (Smith and others 87).
5. If there is no author, but the bibliographical entry begins with the name of an editor or
translator, use the last name of that person followed by the page number: (Jones 86).
6. If the author is a corporation, or the document is a government document, use the name of the
originating entity of the first word under which it is alphabetized: (Institute 24). Of course, if you have more than one institute in your bibliography, you will need to add more to identify the correct source: (Institute Corporate Giving 23).

7. If your reference is to one volume in a multi-volume set, give the author’s last name followed
by the volume number, a colon, and the page number: (Biddle 2:23). In the case of non-print media
(film, music on CD or vinyl, television, radio, etc.) there will, of course, be no page number: (Legends).
8. If you bibliography contains only one work by the author cited, you should give only the
author’s last name to identify the work, unless, of course, there were two author’s in your bibliography with the same last names, in which case you would have to give the first name too.
9. If there is more than one book by the author in your bibliography, give the title or an
abbreviated form of it after the author’s name: (Smith, Analysis 24).
10. If you include the author’s name in your sentence, you should omit it form the parenthetical
reference that follows; you need to give only the page number. (82-83).
Also, keep in mind that quotations that will exceed four lines in your paper should be indented
and no quotation marks should be used. Do not overuse long quotations. 

Observe the following rules
for long quotations:
1. Properly lead into the long quotation, and use a colon to link the quotation to its introduction.
2. Double-space the quotation and separate the quotation from the rest of the paper by also
double-spacing.
3. Indent the entire long quotation including the first sentence, ten spaces from your left-hand
margin, but the right-hand margin needs no special indentation.
4. Place the citation after the last word of the quotation and, if possible, on the same line;
otherwise, drop down and place the citation flush right one double-space below the last lien of the
quotation.
When you have completed your documentation, look over your paper again and ask yourself the
following questions:
1. What is my main idea for this paper?
2. Did I stick to supporting this idea and not wander off the subject?
3. Does my paper flow smoothly and logically from one section to another?
4. Does each paragraph following the Introduction have a clear focus so that everything in that
paragraph serves to support the main idea of the paragraph?
5. Does each paragraph lead logically into the next?
6. Does the entire paper make sense?
7. Did I follow the format my instructor requires?
8. Did I check spelling, grammar, and punctuation? Did I use the spell-check capacity of my
computer? Do I need to take the rough draft to the Writing Lab to have someone else look over the
structure and writing quality?
9. Did I document every important fact or opinion borrowed from another writer or speaker?
Now you are ready to write your clear copy. Do not permit time to go by before writing your
clear copy! If you leave your draft even for a day, much time might be lost in trying to recall exactly how you meant to blend in some of the ideas. Furthermore, if you retype or rewrite while the copy is still fresh in your mind, some spontaneous revision may take place. The result of this is a clear copy, which will be ready for revision after a “cooling-off” period of a day or so.

Leave for a Day!
This “cooling-off” period is important. During the writing stage, your mind is so full of
associations with the words which you have written that you are liable to impose clarity and step-by-step sequences where these do not, in fact, need to be done! After your mind has dropped some of these associations, then you can come back to your paper and actually have to READ each sentence to determine the meaning. You can now better spot the glaring errors because you now can be critically objective.

Edit Your Paper
This is the stage in which you learn one of the most important skills -- to view your own
production with enough courage to anticipate and be concerned about the potential reader’s reaction. This is the stage where you polish, boil down ideas, and struggle to say things more clearly, perhaps even deciding to start over or to write two more drafts!! It can help to have a friend read you the paper as you listen to it, looking for those areas weak in clarity or logic. Or you might read your paper into a tape recorder and play it back, listening for parts that do not clearly make their point.

Your Final Copy
In preparing your finished copy of your research paper, use only one side of a high-grade white
bond paper. Be sure to double space, and leave generous margins at the top and bottom. Leave margins of about one and a half inches on both the left and right sides of the paper; this will allow enough room for you instructor’s comments. Make every attempt to hand in your research paper ON TIME; some instructors will deduct points for late papers.

Analyzing Your Information Sources
Another important skill a writer must develop is the ability to evaluate the sources of your
information. Here are major points to keep in mind:
1. Author: what are her credentials (educational background, past writings or experience in
the area she is writing about)? Is the book or article on a topic in the author’s area of expertise?
Reference books such as Who’s Who in America or Biography Index can be used to determine the
author’s reputation. Has your instructor mentioned this author? Have you seen this author quoted by
other respected authorities? Note those name s that appear in many different resources.
2. Year of Publication: when was the source published? This date is often located on the fact
of the title page below the name of the publisher. If it is not there, look for the copyright date on the
reverse of the title page. Is the source current or out-of-date for your topic? Topic areas of rapid
development, such as science and technology, demand more current information.
3. Edition. Is this the first edition? Further editions indicate that a source has been revised
and updated to reflect changes in knowledge. Many printings of a book may indicate that the work has become a credible source in its field and is reliable.
4. Publisher. If a university press prints the source, it is likely to be scholarly research and
analysis. Although the fact that the publisher is reputable does not necessarily guarantee quality, it does show that the publisher may have high regard for the source being published.
5. Title of Journal. If your source is from a journal, you may want to determine whether or
not the journal is scholarly. This distinction is important because it indicates different levels of
complexity in conveying ideas (a popular journal may simplify information for a mass audience). You may wish to check your journal title in Katz’s Magazines for Libraries, where brief evaluative
descriptions are given.
6. Content Analysis. If your source is a book, read the Preface to determine the author’s
viewpoint. Look over the bibliography for other possible sources. Scan the Table of Contents and the
Index looking for your particular topic. As you begin to read, keep in mind the differences among fact, opinion, and propaganda. Facts can usually be verified; opinions grow out of the writer’s interpretation of facts. Skilled writers can make you think their interpretations are facts! Does the information seem to be valid and well researched, or is it questionable and unsupported by evidence? Is the writer’s viewpoint  objective and impartial? Is the language free of emotion-rousing words and personal bias? Does the work update other sources, add new information, or contain a different point of view from other sources?
You should explore enough sources to obtain a variety of viewpoints on any given issue.
7. is the material primary or secondary in nature? Primary sources are the raw material of the
research process. Secondary sources are based on primary. For example, if you were researching
Adenauer’s role in rebuilding West Germany, Adenauer’s own writing would be one of many primary
sources available on this topic. Others might include relevant government documents and contemporary German newspaper articles. Scholars use this primary material to help generate historical interpretations--a secondary source. Books, encyclopedia articles, and scholarly journals contain articles about Adenauer’s role and are considered secondary sources. Choose both primary and secondary sources when you have the opportunity.
8. Locate critical reviews of books in a reviewing source, such as Book Review Index or Book
Review Digest. Is the review positive? Is the book under review considered a valuable contribution to the field? Does the reviewer mention other books that might be better (if so, locate these sources for more information on your topic)? Do various reviewers agree on the value of the book or has the book generated controversy among the critics?

LEARNING HOW TO QUICKLY DETERMINE THE RELEVANCE AND AUTHORITY OF A GIVEN SOURCE OF INFORMATION FOR YOUR PAPER IS ONE OF THE CORE SKILLS OF THE RESEARCH PROCESS.

Proofreading Your Paper
Students often overlook the importance of proofreading, which is an acquired skill, not an innate
ability. Here are hints for successful proofreading:
1. Cultivate a healthy sense of doubt. If there are types of errors you know you tend to make,
double-check for these.
2. Read your paper very slowly. If possible, read out loud. Read one word at a time. The
student who turned in a paper saying “Abraham Lincoln preferred girdle cakes” rather than “Abraham Lincoln preferred griddle cakes” thought he had written “griddle cakes,” and because that’s what he was sure he had written, that’s what he saw when he proofread. If he had slowed down and read word by word, out loud, he probably would have caught the error. You have to doubt EVERY word in order to catch every mistake. Another reason for deliberately slowing down is that when you read normally, you often see only the shells of words--the first and last few letters, perhaps. The average reader can only take in six letters accurately with one stop of the eye, or fixation. This means you have to fix your eyes on almost every word you have written and do it twice for longer words in order to proofread accurately.
You have to look at the word, not slide over it.
3. Read what is actually on the page, not what you THINK is there! This is the most difficult
sub-skill to acquire, especially if you wrote what you are reading. Unconscious mistakes are so easy to make. It helps to read out loud because you are forced to slow down and you hear what you are reading as  well as seeing it, so you are using two senses. It is often possible to hear a mistake, such as an omitted word or repeated word that you have not seen.
4. Proofread more than once. If possible, take your paper to the College’s Writing Laboratory
and have a writing tutor go over you copy. Professional editors proofread as many as ten times, and
publishing houses will hire teams of readers to work in pairs, out loud.

REMEMBER, IT IS TWICE AS DIFFICULT TO DETECT MISTAKES IN YOUR OWN WORK AS IN SOMEONE ELSE’S!

The Works Cited Format
Once your paper is done, you must then create a Works Cited page, which provides your readers
with a list of the books, articles, and persons you consulted in gathering your information. If you used the
bibliography cards, as suggested earlier, this task will be a fairly simple one.
The format for your Works Cited page is also fairly simple. It should include ALL of the works
used and mentioned in your paper. Arrange your sources alphabetically by author’s last name. The
first line of each entry should be flush with the left margin. Additional lines for the same entry should be indented five spaces. The lines of each entry should be double-spaced, and you should be indented five spaces. The lines of each entry should be double-spaced, and you should double space between entries.
The words “Works Cited” should be centered on the page, one inch down from the top of the page (about 5 lines); double space between it and the first entry.
The form of the individual entries may vary depending upon the type of source used. The basic
information for a book should include the author’s name, last name first; the title of the book underlined or italicized, the city (and state if the city is not easily recognizable, such a Springfield, Illinois rather than just Springfield); the publishing company, exactly as it appears on the title page of the book or on the back of the title page; and the copyright date.
For periodicals or magazines, include the name of the author, again last name first; the title of the
article; and the publication information (name of magazine, volume number, date of publication, and the page numbers where article appears). For public documents there is no standard form because they vary so much. In this case provide enough information so that the reader could easily find the document. In general, arrange the information as follows: Government Body, Subsidiary Body, Title of Document, and Identifying Number. For a person interview, list the name of the person you interviewed, last name first; his or her job title; name of his or her company; state “Personal Interview”; state city and state where interview occurred; and the complete date of the interview.
Here are examples of Works Cited entries:

Books:
Barr, Jacob. A New Psychology. New York: Colliers Inc., 1965.
Hooper, Henry Robert and Peter Simmons, Jr.. Physics, computers, and the Physical
Perspective. Boston: William Pelham Publishers, 1989.
More than One Work by the Same Author:
Jones, Benjamin. A Course of Action. New York: Random House, 1969.
The Flight for Justice. Englewood Cliffs, NJ: Prentice-Hall, 1994.
Two Authors:
Fillmore, Rodger, and Henry R. Stone. Symptoms of Change. New York: Scott,
Foresman, 1989.

Periodicals:
Shade, William Bennett. “Social-Psychological Traits of Achieving Black Children.”
Educaiton Digest 34 (1989): 38-44.
Author of Article is Anonymous:
“The Concorde: Is It Safe?” Time 16 December 1996: 38.
Editor:
Barrister, Davis, ed. The Complete Works of Montaigne. 4th ed. Glenview: Scott,
Foresman, 1985.
Classical Works:
Homer. The Odyssey. Trans. Richard Lattimore. Chicago: U of Chicago Press, 1968.
Encyclopedia:
Dickinson, Robert E. “Norman Conquest.” The World Book Encyclopedia. 1976 ed.
Public Documents:
U.S. Congress. House. Committee on Interstate and Foreign Commerce. Federal Cigarette
Labeling and Advertising Act. 89th Congress. 1st Session. House Report 449 to accompany
H.R. 3014. Washington, D.C.: GPO, 1965.
Computer Data:
Scipax. Series 3 software. Cleveland: Hunt Information Services, 1997.
Sears, Robert O. Trends in Women’s Sports: Factual Data on Participation and Revenue.
VAX-1419. Bowling Green: Kentucky State University, 1993.
On-line Databases:
Garrow, Davidson. “On the Ideals of Race.” New York Times 7 July 1995: E1. New
York Times On-line. America On-line. 29 July 1995.
World Wide Web:
Brown, Haines. “Citations of Electronic Documents in an Electronic Document.”
>http://neal.ctstateu.edu/history/cite.html>(29 March 1996).
Burka, Lauren p. “A Hypertext History of Multi-User Dimensions.” MUD History.
1993. <http://www.ccs.neu.edu/home/lpb/mud-history.html>(5 Dec. 1996).
Carbone, Nick. <nickc@english.umass,edu> “NN 960126: Followup to Dons comments
about citing URLs.” 26 Jan. 1997. <acw-l@unicorn.acs.ttu.edu>via
<http://www.ttu.edu/lists/acw-1> (29 Mar. 1997).
“Field Guide to Sources On, About and On the Internet: citation Formats.” 18 Dec. 1995.
<http://www.cc.emory.edu?WHSCL/citation.formats.html> (7 Feb. 1996).
Hoeman, George H. “Electronic Style--Elements of Citation.” Lkd. Electronic Style
Page, at “Continue” and “Citation Elements.” 3 Nov. 1995.
<http://funnelweb.utcc.utk.edu/~hoemann/style.html> (29 May 1996).

Film:
Fargo. United Artists, 1996.
Personal Interview:
Tarrantino, Quentin. Director and Partner, A Band Apart. Personal interview.
Minneapolis, MN. 12 March 1997.
For further assistance in composing your Works Cited page, consult any of these excellent texts:
1. James D. Lester, Writing Research Papers: A Complete Guide, 4th Edition
2. Roberta H. Markham, 10 Steps in Writing a Research Paper
3. Gibaldi and Achtert, MLA Handbook for Writers of Research Papers
General Tips on Writing Research Papers
1. For the title of your paper, brainstorm. Your title should accurately reflect the topic of your
paper in some interesting, creative way. A famous writing teacher once advised her class to think of a
title, then change it at least three times. She believed that your fourth choice would be the title to use!
2. Some writers write out their opening and closing paragraphs FIRST. This enables them to
be clear as to what the middle needs to do!
3. Keep all of your materials (notes, drafts, note cards, etc.) for the paper in a large folder so that
you will not misplace anything. Keep this folder until the instructor returns your paper. Sometimes a
professor wants to look over your notes.
4. Make a long-term time schedule, allowing yourself at least 2 hours a week for library time;
during your library time, you will research your sources, read them over and make note cards, and being writing your paper. If you go to the library faithfully once a week, you will have your paper completed by  the due date. Try to arrange your schedule so that you will complete your paper at least two days before it is due; this will give you time to proofread adequately. Many professors will lower your grade is the quality of the writing and typing is not excellent.
5. Work on your paper in manageable units of time so that you do not get overwhelmed and
stressed. Break the job down into small units rather than to procrastinate and find yourself having to
spend many hours at once in order to complete it; if you rush yourself, you are probably going to be less accurate in your analyses and will probably overlook important information to be gathered.
6. Ask your friends’ opinions about your paper when you are done. Keep in mind that your
instructor will assist you if asked. If you are uncertain about your topic, your sources, your analysis of the data, see your instructor, who is a valuable source of feedback on your paper. Never be reluctant to ask him or her for help with your assignments.

The excellent book 10 Steps in Writing the Research Paper offers a checklist for frequent errors in
writing research papers:
1. Your sources are not integrated. You use all material from one source and then all from
another; your reader could just pick up one book and read certain pages and then the next one. Real
research involves the blending together of ideas from many different sources.
2. Using Latin (i.e., ibid.) in in-text or footnote reference.
3. Not blocking a long quotation properly
4. Using phrases that are too similar to the words of your source, and that would be considered
plagiarized.
5. Moving from one idea to another without transitions that indicate to the reader what the
relationship is between the two ideas. Use transitional phrases such as “as a result,” “consequently,”
“another less important reason,” and “on the other hand.”
6. Using punctuation incorrectly, especially the use of quotation marks.
7. Using a quotation without analyzing it and leaving it up to the reader to decide how it fits into
your argument and/or how you are interpreting it for that purpose.
8. Using the passive voice, such as “It was decided by Professor Jones that such and such is
true” rather than “Professor Jones decided that....”
9. Numbering pages incorrectly. Any page with a title should have a number at the bottom and
the rest should be numbered carefully on top.
10. Not showing source of information; all information from sources other than the writer of the
paper must be documented.
11. Using incorrect format for parenthetical references and bibliographical format.
12. Using obsolete publications for a current topic, such as for information about computers, the
treatment of disease, divorce laws, or other subjects that change radically and quickly.
13. Using sources that are not reliable and whose information is not documented.
(74-75)

Before You Write
Not all of the papers you write will be research oriented: they may be narrative,
autobiographical, descriptive, or creative. The information you need for these papers will not be found in a library--it must come from you.
Pre-writing is the process by which you creatively write down ideas for your paper. This process
will give you a basis to start from and help you to see where you want to go with the paper. In other
words, pre-writing helps you pull out what you already know about a topic. Some suggested pre-writing methods are brainstorming, free-writing, mapping, and the Tree Method.
Pre-writing is not limited to the methods listed here. Anything you can think of that will help
you get ideas out of your head is a pre-writing method and is valuable.

Brainstorming
On a piece of paper, write your general topic at the top of the page; then make a list of everything
that comes into your head as fast as possible. Don’t be critical when you do this--it is okay to be irrational or wildly imaginative. The goal is simply to discover what is in your head. Brainstorm until you cannot think of anything else, then look over what you wrote down. Look for things that may surprise you or things that are related. These connections and surprises may suggest a pattern which, in turn, may suggest directions of interest to you. Now you are becoming aware of possible other topics or details which could be further developed throughout your paper.

Here is an example of the brainstorming method:
TOPIC: Grandmother
- back scratcher on my desk
- left hand
- transparent skin
- soft, unused hand
- wispy white hair
- had been Auburn as a girl in Scotland
- go in to see if she was alive
- shawl, dark, green, and black
- thin but heavy
- black watch?
- named for my uncle; named for his uncle
- washed out my mouth with soap
- broke her arm
- wood stove
- kidney soup, thick
- grape jelly
- dumped hot jelly on me
- forcing mouth open to eat eggs
- dining room rug
- underside of dining room table
- didn’t like my father

These thoughts might not make sense to anyone except the writer, but that is the purpose. These
are the memories of the writer that are reminiscent of the topic “Grandmother.” Things of obvious
importance are Grandmother’s appearance and her domestic abilities. These characteristics of
Grandmother could help the writer by opening up new possibilities to develop.

Free writing
The goal of free-writing is to let the words flow. On a piece of paper simply start writing about
your topic. Don’t worry about spelling or punctuation when you are writing- just let it flow. By
free-writing you are trying to see if language will carry you to meaning. Write whatever your mind tells you to. The key is to keep your hand moving at all times. If you get stumped, try to keep your hand going by scribbling until you think of something else to write the ideas you can come up with. The following paragraph is an example of free-writing.
TOPIC: Grandmother
I’m a bit afraid to write about Grandmother. Interesting I don’t put in ‘my’. Just Grandmother.
Grandma. She was a frightening woman. I felt bigger than my grandmother, but I was afraid of
Grandma. She wore her hair up in a knot on the top of her head like the queen of England.........I’m
interested in the fear. Yes, I guess it was physical. I said ‘darn’ once and ‘bugger’, and I was hauled
down those wooden steps in the Vassel street house and she scrubbed my mouth out with Fels Naptha soap. When I came home with a tan from summer camp, she tried to rub it off with a big brush......the kind you use on the floor when you’re on your hands and knees. When she fell in the dining room......I was in the first grade......she broke her arm and had a great big round welt....a big purple lump just rose right up.
Grandmother didn’t let the pain bother her. What a strong woman she was....
* Remember, the idea is simply to keep your hand moving during the time you are free-writing.
Try to let your thoughts flow into words without worrying about grammar or style--that’s what free-writing is about.

Mapping
Unlike brainstorming, mapping attempts to exercise the right side of the brain, which is your
creative side. Take a piece of paper and write the subject of your paper in the center, then circle it. Now think of ideas or anything related to the subject. When the idea comes to mind, draw a line from your subject word and write this new word at the end of it. Now think of something related to this new word. Continue to do this until you are out of ideas. Repeat the whole process until you have all the ideas out of your head. Find any connection when you are finished.



The Tree Method
This method of pre-writing resembles the mapping method. Start by placing your topic at the
bottom-center of the page. Working vertically, write whatever comes to your head about the topic.
Draw a vertical line to your next idea and allow further ideas to branch off the old ones, forming a tree. When you are finished, find the connections and relationships between ideas and see what meanings they might.


Works Cited
Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. Fourth
Edition. New York City, New York: The Modern Language Association of
America, 1995.
Lester, James D. Writing Research Papers. Fourth Edition. Glenview, Illinois:
Scott, Foresman and Company, 1986.
Markman, Roberta H., Peter T. Markman, and Marie L. Waddell. 10 Steps in
Writing the Research Paper. Fifth Edition. Hauppauge, New York:
Barron’s Educational Series, Inc., 1994.
Rodrigues, Dawn, and Myron C. Tuman. Writing Essentials. New York City,
New York: W. W. Norton and Company, 1996.
Todd, Alden, Finding Facts Fast. Second Addition. Berkeley, California: Ten
Speed Press, 1979.